or


[01/17/12 - 12:47 PM]
"Hell on Wheels" Reigns as AMC's Second Highest Rated Original Series
AMC spins the numbers for Sunday, January 15.

[via press release from AMC]

"HELL ON WHEELS" REIGNS AS AMC'S SECOND HIGHEST RATED ORIGINAL SERIES

SEASON FINALE DELIVERS 3.8 MILLION VIEWERS

SEASON ONE AVERAGES 3 MILLION VIEWERS

1.3 MILLION ADULTS 18-49

1.4 MILLION ADULTS 25-54

New York, NY - January 17, 2012 - AMC's season finale of "Hell on Wheels," which premiered on Sunday, January 15th at 10 pm EST, delivered a 2.2 HH rating and attracted 2.8 million viewers. The premiere and encore combined delivered 3.8 million viewers (10 pm EST premiere and 11 pm EST encore). Season one averaged 3 million viewers and attracted 1.3 million adults 18-49 and 1.4 million adults 25-54. "Hell on Wheels" finishes as the second highest rated series on AMC following the success of "The Walking Dead." AMC greenlit a second season of "Hell on Wheels" in December.

Source: The Nielsen Company, Live+SD 11/6/11-1/15/12.

"The writers, producers, cast and crew of 'Hell on Wheels' have created a multi-layered and complex period drama. It delivers on its Western origins, but adds another level of storytelling that is really about how this nation came to be what it is today. We congratulate our partners and the incredible creative team on ending a terrific season with such momentum. Work on the railroad continues with season two returning to AMC in the fall," said Charlie Collier, AMC's president.

"Hell on Wheels" tells the epic story of post-Civil War America, focusing on a Confederate soldier (Anson Mount) who sets out to exact revenge on the Union soldiers who have killed his wife. His journey takes him west to 'Hell on Wheels,' a dangerous, raucous, lawless melting pot of a town that travels with and services the construction of the first transcontinental railroad, an engineering feat unprecedented for its time. It examines the railroad's institutionalized greed and corruption, the immigrant experience, and the plight of the newly emancipated African-Americans during reconstruction. Over time, "Hell on Wheels" chronicles this potent turning point in our nation's history, and how uncivilized the business of civilization can be.

"Hell on Wheels" stars Anson Mount (City by the Sea, Cook County) as Cullen Bohannon, a former soldier hell bent on avenging his wife's death; Colm Meaney (Get Him to the Greek) as Thomas "Doc" Durant, a greedy entrepreneur taking full advantage of the changing times; musician/actor Common (Just Wright, Date Night) as Elam Ferguson, an emancipated slave working to achieve true freedom in a world entrenched in prejudice; Dominique McElligott ("The Philanthropist") as Lily Bell, a newly widowed woman trying to survive in a man's world; Tom Noonan ("Heat") as Reverend Cole; Ben Esler ("The Pacific") as Sean McGinnes and Philip Burke ("Law & Order," "Mercy") as Mickey McGinnes, two young brothers looking to find their fortune in the new West; and Eddie Spears ("Into the West") as Joseph Black Moon, a Native American man torn between his culture and the changing world around him.

Shot on location in Alberta, Canada, the series is produced with assistance of the Government of Alberta, Alberta Film Development Program.

"Hell on Wheels" is created and written by Joe and Tony Gayton (Faster/Uncommon Valor/Salton Sea/Bulletproof), who also serve as executive producers. John Shiban ("The X-Files," "Breaking Bad"), Jeremy Gold, Endemol's SVP of scripted programming and David Von Ancken, who also directed the pilot, serve as executive producers. The series is executive produced by Endemol USA with Entertainment One (eOne) serving as the studio. eOne's Television CEO John Morayniss and EVP of television series Michael Rosenberg oversee production in partnership with co-producers Mike Frislev and Chad Oakes at Nomadic Pictures.

AMC's Joel Stillerman, SVP of original programming, production and digital content, Susie Fitzgerald, AMC's SVP of scripted programming and Jason Fisher, SVP of production oversee development and production for "Hell on Wheels."

"Hell on Wheels" has already been described by InTouch as "Unforgiven meets Glory in this grimy post-Civil War Western series." The New York Daily News said, "AMC rolls out another winner with 'Hell on Wheels'... 4 Stars." The Washington Post calls it, "hands down the most intriguing show in the fall slate." USA Today says, "the show aims for "hellish" and it achieves it" and The Wall Street Journal says "railroads may not seem sexy, but this series brings a 'There Will Be Blood' aesthetic to episodic TV."

About AMC

AMC reigns as the only cable network in history to ever win the Emmy(R) Award for Outstanding Drama Series four years in a row, as well as the Golden Globe(R) Award for Best Television Series - Drama for three consecutive years. Whether commemorating favorite films from every genre and decade or creating acclaimed original programming, the AMC experience is an uncompromising celebration of great stories. AMC's original stories include "Mad Men," "Breaking Bad," "The Walking Dead," "The Killing" and "Hell on Wheels." AMC further demonstrates its commitment to the art of storytelling with its slate of unscripted original series, as well as curated movie franchises like AMC's Can't Get Enough and AMC's Crazy About. Available in more than 97 million homes (Source: Nielsen Media Research), AMC is owned and operated by AMC Networks Inc. and its sister networks include IFC, Sundance Channel and WE tv. AMC is available across all platforms, including on-air, online, on demand and mobile. AMC: Story Matters HereSM.





  [january 2012]  
S
M
T
W
T
F
S


· HELL ON WHEELS (AMC)





most recent ratings | view all posts
[12/19/24 - 12:00 PM]
Great American Family's Christmas Franchise Fuels Channel's Growth Placing It Among the Top 25 Just Three Years After Launch
The company's burgeoning holiday movie franchise, Great American Christmas, launched October 11, further establishing Great American's position as a leader in the original holiday movie space.

[12/18/24 - 01:30 PM]
"Landman" Explodes Becoming the #1 Paramount+ Original of All Time Garnering 14.9M Global Households
New episodes are available to stream every Sunday exclusively on Paramount+.

[12/18/24 - 10:21 AM]
"Live with Kelly and Mark" Hits Season Highs in Total Viewers, Households and Women 25-54 with Best Numbers Since April
In addition, "Live" posted week-to-week gains of +12% in Women 25-54 (0.47 rating vs. 0.42 rating), hitting a season high and posting the show's second week of growth in the demographic with its best delivery in three months.

[12/17/24 - 03:31 PM]
ABC News' "Nightline" Ranks No. 1 in All Key Demos for the Week of Dec. 9 Versus CBS' "After Midnight" and NBC's "Late Night With Seth Meyers"
"Nightline" posted double-digit gains week to week across the board: Total Viewers (+16% - 840,000 vs. 725,000), Adults 25-54 (+76% - 215,000 vs. 122,000) and Adults 18-49 (+90% - 129,000 vs. 68,000).

[12/17/24 - 12:00 PM]
Netflix Top 10 Week of Dec. 15: "Carry-On" Lifts Off and "Black Doves" Fly High in Netflix's Top 10 This Week
Jamie Foxx's stand-up special "What Had Happened Was..." hit No. 2 (8.2 million views), and "Dead to Me" creator Liz Feldman's new murder mystery "No Good Deed" landed at No. 3 (6 million views).

[12/17/24 - 11:12 AM]
"Abbott Elementary" Holiday Special Delivers Glad Tidings - Rising +129% in Total Viewers and +410% in Adults 18-49 over Initial Live+Same Day Audience
After seven days of viewing on ABC, Hulu, Hulu on Disney+ and digital platforms, the "Abbott Elementary" holiday special "Winter Show" delivered holiday cheer, jumping to 6.66 million Total Viewers and 2.14 rating in Adults 18-49.

[12/17/24 - 05:16 AM]
"Yellowstone" Finale Is Biggest Episode in Series History with 11.4 Million Viewers
Overall, Season B outperformed Season 5A by +4% (10.3M) in viewership.

[12/16/24 - 02:45 PM]
"Blue Bloods" Series Finale Hits Largest Overnight Audience of the Season
The finale's seven-day multiplatform audience (across CBS and Paramount+) could surpass 11.4 million viewers, according to VideoAmp and CBS Research estimates.

[12/12/24 - 10:00 AM]
"Tracker" Exceeding 18 Million Viewers and "Matlock" Nearing 17 Million Viewers in Live Plus 35-Day Multiplatform Viewing
Since the new season premiered in September, CBS primetime series are averaging 10 million viewers, up +3% compared to last season, in live plus 35-day viewing across CBS, Paramount+ and the CBS app.

[12/12/24 - 09:02 AM]
"Tamron Hall" Hits Season Ratings High Growing by 17%
During the week of November 18, "Tamron Hall" grew in all key measures week to week, +9% among total viewers, +6% in household rating, +16% and +17% respectively with the highly coveted women 18-49 and 25-54 demographics.

[12/11/24 - 12:01 PM]
"Dancing with the Stars" Season 33 Earns Largest Total Viewer Finale Audience in Five Years - Largest Adults 18-49 Audience in Seven Years
The finale represented the show's highest delivery in multiplatform viewing for any "Dancing with the Stars" telecast in both Total Viewers and Adults 18-49 in three years.

[12/10/24 - 12:00 PM]
Netflix Top 10 Week of Dec. 8: "Black Doves" Soars; "Our Little Secret" Is Most-Watched Title This Week
"Senna," the limited series based on the life and career of the titular Formula 1 icon, raced to No. 1 (5.8 million views) on the Non-English TV list, with "The Madness" rising to No. 1 in English TV, making the top 10 in 90 countries, with 13.3 million views.

[12/10/24 - 10:56 AM]
Formula 1 Telecasts on ESPN Platforms Reach Nearly 30 Million Fans in 2024
Just over 1 million viewers watched the telecast of Sunday's season-ending Abu Dhabi Grand Prix on ESPN.

[12/09/24 - 09:44 AM]
Tubi Original Movie "Sidelined: The QB & Me" Scores No. 1 Spot on Tubi in the US & Canada
In its first seven days, the movie was viewed by 17.9% of total viewers in the US and 19.9% of total viewers in Canada.

[12/05/24 - 05:53 PM]
Hallmark Channel's "Holiday Touchdown: A Chiefs Love Story" Wins Most-Watched Cable Movie of the Year!
The Merry Thanksgiving Weekend premieres were the #1 most-watched entertainment cable programs on Thursday, Friday, and Saturday, as the programming stunt reached 8.4 million unduplicated total viewers.